The Last of the High Kings

 

summer-flingI’ve decided to check other Jared Leto movies. I didn’t quite know where to start. Ideally, it would be good to watch his films in chronological order. But I don’t want to waste time on movie that turns out to be awful. So I honestly had no idea where to begin.

Last weekend, I decided to have a Friday night movie. I narrowed down my choices to four movies. Highway, Prefontaine, Lonely Hearts, and The Last of the High Kings. I wasn’t in the mood for anything too serious. This eliminated Prefontaine and Lonely Hearts. My Friday Night movie would be either 2002’s Highway or 1996’s The Last of the High Kings. You’ve probably figured out already which movie I chose solely based this blog post’s title. The Last of the High Kings made its US debut in 1998 under the title of Summer Fling. Honestly, I feel “Summer Fling” gives people the wrong impression of this movie. It should have kept its original movie title for the US release.

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The Last of the High Kings is set in Dublin, Ireland during 1977. [Fun fact: It was shot on location in Howth, a village and outer suburb of Dublin, Ireland.] This movie spans a time period of two to three weeks. So a relatively short time. After finishing his exams, Frankie Gilbert embarks on a journey of self-discovery. Just like any other teenager he wants to make the most out of his summer vacation. Participating in crazy shenanigans with his two best friends. Trying to get onto Romy and Jayne’s radar. Dealing with his quirky, oddball parents and four siblings. A new chapter of his life will soon commence upon receiving his exam results. Frankie contemplates what he wants to do with his life. The film captures a great balance of interaction between his family and friends/school peers.

There were a few surprising curveballs. First, conflicting tension between Catholic and Protestant groups is a prevalent theme. Christianity has played a vital role within Ireland’s history. Most European countries have deep ties to Christianity. Catholic and Protestant groups haven’t always gotten along well. Also, there are plenty of incorrect stereotypes and assumptions revolving around each religious denomination. Throughout the film, religious tensions between the Irish Catholics and Protestants are explored in some sub-plot lines. This element added additional depth to the film’s overall story arc.

Second, the interaction with Frankie and his siblings was very intriguing. From my perspective, it seemed he wasn’t too close to most of his siblings. There’s a functional yet somewhat distant dynamic whenever he interacts with them. Yet there is one exception. He is especially close to his youngest brother, Noelie.  Frankie briefly narrates how his brother isn’t like other kids his age. Noelie is mentally stunted and it will permanently impact the rest of his life. He won’t be able independently take care after himself even as an adult. At one point, Frankie’s youngest sister, Dawn, asked their mother who will look after Noelie when both parents are dead. A young child should not have such dark, depressing thoughts. Unfortunately, this is the reality of Noelie’s fate. Frankie, Maggie, Ray, and Dawn will have to share the responsibility of looking after him.

The scenes with Frankie and Noelie spending time together were truly heartwarming. I actually got a bit emotional during these scenes. Despite all their flaws, Frankie loves his parents and siblings. They don’t pretend to be a normal family. Nope not even close. The Griffins proudly embrace their quirky personalities.

I really enjoyed how the major and minor characters were fleshed out within the overall story arc. In varying degrees, there was dynamic character development. It helped that Frankie Griffin was a multi-faceted character. Basically Frankie’s relationship with the major or minor character determines the nature of the interaction.

Setting is an important element in cinematography. There’s plenty of Irish charm to the village of Howth. The entire movie takes place in this seaside village. The audience sees different parts of Howth throughout the various sub-plots. Howth’s scenery was beautifully incorporated into many scenes throughout the film. This helps immerse the viewer into this world.

American actors don’t always nail non-American accents in their film or TV roles. But I was very impressed with Jared Leto’s Irish accent. It didn’t sound forced at all. Heck I would have thought Jared normally spoke with an Irish accent…if I didn’t already know he is an American actor.

Despite the loosely structured story arcs, The Last of the High Kings a witty, coming-of-age indie film that is full of heart and soul. It invokes a plethora of emotions with its compelling plot lines. I would recommend this film!

Artifact

Between 2007 and 2009, the global economy faced a financial crisis. USA experienced the worst economic recession since the Great Depression. The financial crisis of 2007-2008 had multiple causes. Using business and economic terminology, I could explain the multi-faceted issues surrounding this controversial topic. But I’ll spare you the details. Basically the underlying reason is financial institutions lent out too much money and their borrowers couldn’t pay it all back. That’s the problem with credit.  When poorly implemented, credit can be very catastrophic.

Financial Crisis word collage

During the economic recession, the average American had increasingly less discretionary income to spend on luxury goods and services. The financial crisis impacted all industry sectors including the music industry. Also, there was a new player in the music industry. Digital music. It was rapidly gaining widespread popularity. Apple’s iTunes was the dominant distributor of digital music. During 2008, there was a significant drop in the sale of physical CDs. CDs were the main source of revenue for this industry sector. Yet this continued to still be the most popular format of music. With the digital era, it gave rise to a whole new beast. The illegal downloading of music. It prevents artists from being properly compensated for their efforts.

Since their inception in 1998, Thirty Seconds to Mars has experienced their fair share of hardship in the music industry. Their self-titled debut album didn’t garner much mainstream popularity. Thirty Seconds to Mars released their sophomore album in August 2005. A Beautiful Lie was a breakthrough album for them. It essentially launched their music careers.

Let’s put this into perspective in terms of the music industry at that time. Rock music genres had gained mainstream popularity around the mid-2000s. This certainly helped Thirty Seconds to Mars. They joined the ranks of other popular rock bands such as Green Day, Fall Out Boy, Panic! at the Disco, Seether, 3 Doors Down, Nickelback, Fall Out Boy, My Chemical Romance, and Franz Ferdinand to name a few.

From their sophomore album,  the second single “The Kill” finally put them on the map. The band’s hard work had finally paid off.  They were floating on cloud nine. Also, the band wanted to create a documentary about the production of their upcoming third album.

Sadly, their success was short-lived upon discovering they owed Virgin Records nearly $2.5 million. Up to this point, the sales from their two albums had not generated any profits. Also, the record company hadn’t paid them their due royalties from these albums. They wanted to leave Virgin Records. In mid-2008, the band attempted to sign with a new record label. EMI, parent company of Virgin Records, filed a $30 million lawsuit against Thirty Seconds to Mars. According to EMI, the band had failed to produce three of the five albums obligated within their 1999 contract.

Here is some background information about EMI. In August 2007, Terra Firma Capital Partners Ltd, a UK-based private equity firm, acquired EMI for $4.7 billion. Terra Firma’s takeover implemented an entirely new restructuring plan for EMI along with 1,500 to 2,000 job cuts. The restructuring plan was intended to pay off EMI’s massive debts to Citigroup. Terra Firma’s belligerent business practices quickly deteriorated the relationship between the record label and their artists.

Artifact_2They fought hard for their survival. During this time, the band was recording their third studio album. The record company had absolutely no involvement in this process. In fact, Thirty Seconds to Mars used their own money to hire well-known music producers, Flood and Steve Lillywhite, along with a small staff. Jared, Shannon, and Tomo channeled all the tumultuous emotions of the legal battle into the new songs. This documentary offers intimate, behind-the-scene footage of the band’s recording sessions and legal meetings. Yet, Artifact simultaneously explores the complexity of the modern music industry along with the relationship between record label and their artists. First-hand account interviews from musicians, EMI executive and employees, and music journalists gives eye-opening insight to the much uglier side of this ruthless industry.

The documentary has an overall somber tone. But there are light-hearted, sentimental, and humorous moments sprinkled in throughout the film. You learn more about the upbringings of Tomo and the Leto brothers and how it shaped them into the people they are today. Also, Artifact incorporates beautifully panoramic shots of Los Angeles consistently throughout the documentary.

Between 2008 and 2009, Thirty Seconds to Mars’s financial reserves were stretched very thin. They almost became broke from the mounting costs associated with making the album and paying legal fees. In addition, they funded their documentary, Artifact, on a very limited budget. It is unlikely they’ll even generate much revenue from it. Without a doubt, this time of immense tribulation made Tomo, Shannon, and Jared much stronger people. This explains the heavily emphasized tone of struggle and perseverance in the songs off their third album, This Is War. In 2009, the $30 million lawsuit came to an end. EMI renegotiated a new contract with the band. Both parties wanted to make amends to their previously contentious relationship. The war was over.

Thirty Seconds to Mars fought like hell to pursue their music careers even when the industry didn’t appreciate nor recognize them. This band prefers to stay out of the celebrity limelight which is almost unheard of nowadays. With their hard work and perseverance, Thirty Seconds to Mars have fulfilled their rock star dreams over the years. Their music is well loved by the worldwide community of their Echelon family. Over the past three weeks, I’ve formed a whole new appreciation for Thirty Seconds to Mars.

Artifact was directed by front man, Jared Leto, under his longtime pseudonym  Bartholomew Cubbins. Also, he worked with Emma Ludbrook to produce this film. The documentary premiered at 2012 Toronto International Film Festival. This documentary received favorable reviews from critics and audiences. It would go on to win more awards from other film festivals. Well-deserved accolades!

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I would highly recommend Thirty Seconds to Mars’ Artifact to everyone. You don’t need to be a musician to enjoy this compellingly riveting documentary. It is an emotionally engaging work of cinematography. So worth all 103 minutes of your time!

Thirty Seconds To Mars

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Nowadays people associate Jared Leto from his acting roles in Dallas Buyers Club (2013) and Suicide Squad (2016). Some people aren’t aware Jared is very versatile.  Actor. Singer-songwriter. Director. Producer. Editor. Photographer. Investor. Painter.

I’ve always associated Jared Leto as the lead singer of Thirty Seconds to Mars. Actually Jared Leto and his older brother, Shannon Leto, are co-founders of Thirty Seconds to Mars. Their mother, Constance, encouraged her boys to get involved in the creative arts at a young age. Since childhood, music played an integral role in the Leto brothers’ lives.

I’ll give some background history about this rock band. In 1998, Leto brothers formed Thirty Seconds to Mars in Los Angeles. Jared did some acting roles prior to pursing his passion for music. People magazine named Jared Leto one of the 50 Most Beautiful People in the World in 1996 and 1997. Jared refused to promote the band by flaunting his Hollywood fame. This speaks volumes about his humility. In fact, he has never leveraged his Hollywood fame to garner more attention for the band. Jared has intentionally maintained his acting and music careers as distinct entities. In 1998, Thirty Seconds to Mars sign with Immortal Records. Then, Virgin Records joined this contract in 1999. Their self-titled debut album was released in August 2002.

Since 2006, Jared Leto has directed all of Thirty Seconds to Mars’s music videos. He goes under the pseudonyms of Bartholomew Cubbins and Angakok Panipaq. His directorial filmography includes A Beautiful Lie, From Yesterday, The KillKings and QueensHurricaneCloser to the Edge,  City of AngelsDo or Die, and Up in the Air. Each music video is basically a short film or documentary. Beautiful works of cinematography! [WARNING: Hurricane music video contains some mature content!]

Also, Jared Leto is a savvy business man. He founded an on-demand streaming platform called VyRT. This media company has diversified their services to include digital distribution, social networking, and online shopping. Artists can provide their fans unique virtual social experience through VrYT. Musicians can offer live experiences and broadcast it in real-time on the Internet. This is not his only technology investment. He was an early investor stakeholder in many companies. Nest, Uber, Airbnb, Reddit, and Slack to name a few. Jared has diversified his streams of revenue. But it is safe to say majority of money comes from his music career.

One thing differentiates Thirty Seconds to Mars from other artists or bands in the music industry. All of the band’s music videos and documentaries were produced in collaboration with producing partner, Emma Ludbrook, under their Sisyphus Corporation. They even have their own teams that address the business and marketing functions. They don’t have heavy reliance on their record label. Majority of artists/ bands aren’t quite as self-sufficient as this alternative rock band. My appreciation for Thirty Seconds to Marks keeps exponentially growing.

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[Tomo Milicevic (left), Jared Leto (middle), Shannon Leto (right)]

Thirty Seconds to Mars has consisted of three members since 2006. Jared is the lead singer and rhythm guitarist. Tomo is the lead guitarist but also plays the keyboard and violin as needed. Also, he is responsible for backing vocals. Shannon is the drummer. Yet, he can play other percussion instruments as well. There’s fluidity in the roles within the band. All three members equally contribute to the creative music writing process.

Thirty Seconds to Mars’s music incorporates philosophical and spiritual elements in combination with Leto’s life experiences. All of their songs have deep lyrical content. By the way, Jared Leto is the main songwriter for the band. They certainly aren’t afraid to experiment with different musical styles. Electronica vibes are injected into the band’s alternative rock sound. Each Thirty Seconds to Mars album revolves around a specific concept theme.

Compared to my other bias rock bands, Thirty Seconds to Mars’s music is relatively mellow. But nonetheless their music delivers deep lyrical content. Jared Leto’s vocal tone is rather clean cut. But not too polished.  It still conveys a wide spectrum of raw emotions. Jared Leto is technically a high baritone/low tenor. Until recently, I’ve never heard of this vocal classification.  In my opinion, the only other lead singer with a similar vocal tone is Muse’s Matt Bellamy.

Jared delivers clean cut vocals with sporadic bursts of intense screaming. There was more screaming outburst in the songs on their debut and sophomore albums. Hardly any screaming outbursts featured in the songs on the third and fourth albums. This explains how Jared has maintained his singing vocals over 18 years. Also, he doesn’t smoke or drink which definitely preserved his clean cut vocal tone.

There are some artists or bands I’ve been listening to many years…yet I cannot exactly recall when I discovered their music. Thirty Seconds to Mars falls into this category. I didn’t even know about this alternative rock band until my sophomore or junior year of high school.

Back in 2008 or 2009, I vaguely recall a friend of a friend obsessively ranting about a music video one day in class. The music video in reference was “A Beautiful Lie” by Thirty Seconds to Mars. Lauryn randomly stumbled across that while browsing YouTube. It left a memorable first impression on her. Also, she emphasized the lead singer was stunningly gorgeous. She didn’t have to work too hard to persuade me to check them out.  Thirty Seconds to Mars is an alternative rock band. My music preference usually leans towards the rock genre anyway.

During one of my free weekends, I decided to check out “A Beautiful Lie” music video. Rock genre has varying types of musical styles. I honestly had no idea what to expect with Thirty Seconds to Mars’s music. “A Beautiful Lie” music video concept was quite simple. It addresses the importance of global warming.  Also, the band shot the music video on location in Greenland. 200 miles north of the Arctic Circle. It left a lasting impression on me. I wanted to listen to more of their music. So I checked out Thirty Seconds to Mars’s A Beautiful Lie album from my local library. This album was released back in August 2005…but I only discovered it three or four years later.

One of my all-time favorite Thirty Seconds to Mars music video is “From Yesterday”. This was the third single off of their sophomore album, A Beautiful Lie. To current date, it is the band’s most elaborate music video concept. It was shot on location at the Forbidden City. Thirty Seconds to Mars is the only American artist/ band to shoot an entire music video in the People’s Republic of China. This music video pays tribute to the 1987 film The Last Emperor. More than 300 extras were used in this music video shoot. There are two versions of “From Yesterday” music video. 13 minute short film and edited 7 minute versions. The cinematography and story concept immerses you into China’s rich history and culture.

For the longest time, A Beautiful Lie was the only Thirty Seconds to Mars album I had ever listened to. It wasn’t until a few years ago I checked out their two recent albums. This is War. Love Lust Faith + Dreams. Drastically different music styles from A Beautiful Lie album. There was definitely more experimentation with music styles on those two albums. It took a few listens before I acclimated to this new sound. I’d grown accustomed to darker undercurrents of A Beautiful Lie album.

Also, I recently listened to the band’s debut album for the first time. I thought their sophomore album, A Beautiful Lie, was pretty intense in regards to the sound. Nope. Their debut album is way heavier.

Their sophomore album, A Beautiful Lie, helped the band finally gain mainstream popularity. In March 2006, this album’s second single “The Kill” immensely launched Thirty Seconds to Mar’s music career. Ten years of working their asses off had finally paid off! But the victory was very short-lived. The band was informed they owed $2,500,000 of debt to Virgin Records. Despite selling millions of albums, they hadn’t made any money from the album sales up to this point. Of course this news would be very disheartening to any artist. Thirty Seconds to Mars made the decision to leave Virgin record label in mid-2008.

EMI Records slapped the band with a $30 million lawsuit for breach of their 1999 contract with Virgin Records. EMI is the parent company of Virgin. Between 2008 and 2009, the band simultaneously recorded their third studio album, This is War, and fought their own legal battle with EMI. The band waged war against the music industry’s unethical business practices in their documentary, Artifact. It even includes  in-depth, behind-the-scenes footage of recording sessions and legal meetings. Also, it paints the harsh reality of modern music industry for upcoming and even established artists. Artifact was directed by Jared Leto under his Bartholomew Cubbins pseudonym.

30STM Guinness World RecordsDid you know Thirty Seconds to Mars made it into the Guinness World Records in 2011? Their third album, This is War, was released in December 2009. Into The Wild tour spanned over a two year period. The band traveled to 6 continents performing over 300 shows. In fact, the music video for “Closer to the Edge” features live concert footage from this tour. Thirty Seconds to Mars wanted to break the world record for most live shows during a single album promotion cycle. They made this a reality. Thirty Seconds to Mars set the world record for “Longest Concert Tour by a Rock Band” with a total of 309 live concerts on their Into the Wild worldwide tour.

It has been a little over a year since I last listened to Thirty Seconds to Mars’s albums. I go through various music phases. So I haven’t been in the mood to listen to their music. Within the past two weeks, I’ve seen Suicide Squad twice in theaters. I normally don’t like DC universe films. Yet, Suicide Squad piqued my curiosity. I had two main reasons to see this film. Panic! at the Disco and Jared Leto. There was much hype surrounding Jared Leto portraying a modern-day gangster interpretation of the Joker, the clown prince of Gotham. I was intrigued how Jared would bring this character to life on the big screen. The first DC universe movie I’ve gone to the theater to see. My curiosity paid off. I very much enjoyed this anti-hero summer blockbuster.

Suicide Squad convinced me to re-explore Thirty Seconds to Mars’s music. I’ve intensely binged all four of their albums over the past two weeks. Love Lust Faith + Dreams album has really grown on me. I love Thirty Seconds to Mars even more than I did. Jared, Shannon, and Tomo are all awesome people in their own way. Also, they are incredibly talented artists. Each of their albums demonstrates their growth and maturity as artists. Thirty Seconds to Mars have maintained their presence in the music industry over the past 18 years. Longevity in the constantly changing music industry isn’t easy to achieve.

Love Lust Faith + Dreams album was released back in May 2013. So they haven’t come out with new material in three years. Jared pursued some movie projects during this gap. The wait is finally over! Thirty Seconds to Mars will release their fifth studio album in 2017. There are plenty of YouTube videos verifying Thirty Seconds to Mars is a phenomenal live act.  I’d love to see them live in concert on their tour promoting the new album!

SS Joker[On a somewhat related side-note rant: It is frustrating how close-minded movie goers bashed Leto’s amazing performance as the infamous Joker. Jared Leto put his own unique spin on this multi-faceted villain. I’m pissed how majority of Joker scenes were cut from final theatrical version. I’m well-aware the Joker is only prevalent to Harley Quinn’s backstory arc. So he isn’t the main focus of the film’s plot arc. But the studio heavily emphasized the Joker in Suicide Squad’s promotional marketing campaign. This is extremely deceptive. Jared is disappointed how only few of his scenes actually ended up in the final version of Suicide Squad. There were some minor plot gaps because many Joker scenes were cut out. Most importantly, music is his main passion. So Jared is very selective of which movie projects he chooses to participate in. Any movie project means less time he can devote to working on new Thirty Seconds to Mars material. He won’t take time away from his music for just any movie role. It must be a truly worthy artistic film project. He joined Suicide Squad project because of the artistic premise. DC extended universe films are a major time commitment. So Jared has a valid reason to be angry the Joker only got 15-20 minutes of screen time. Warner Bro Studios were very misleading when bringing him onto this film project. I really hope we see more of Jared Leto’s Joker in future DC extended universe films. I love the charismatic bad-assery of the new Joker.]

Suicide Squad

Let me start by saying DC comic universe it not my usual preference. The only exceptions I make are their television shows Smallville, The Flash, and Gotham. Otherwise, I avoid DC universe movies. Way too much angst with very little to no humor injected into the script. I need a good balance of humor and angst in my superhero or anti-hero movies. My preference goes towards DC universe’s TV shows.

Suicide Squad

There has been much hype leading up to Suicide Squad’s film release on August 5, 2016. For the most part, I hardly cared much for this DC movie. I was aware Jared Leto, lead singer of Thirty Seconds to Mars, was cast in the role of the Joker. Leto garnered considerable press coverage for it. Despite his awards for Dallas Buyer Club, Jared will now become synonymous known for playing the Joker.

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Jared Leto’s portroyal of the infamous Joker received mixed reviews. In my opinion, Leto brilliantly portrayed this villainous character.  Bad-ass. Charmingly wicked. Enigmatically charismatic. I love how the Joker was depicted as a modern-day gangster of Gotham. I cannot deny that I was kinda attracted to this character. The Joker wasn’t part of Amanda Waller’s Task Force X. Yet, he still fits into Suicide Squad’s overall plot arc. Within the film’s storyline, his appearances basically revolved around Harley Quinn’s character.

Some things in Suicide Squad really impressed me. First, the fascinating development of Harley Quinn/ Joker romance sub-plot arc was well implemented. Harley Quinn is the product of Joker’s screwed-up experiments in Arkham Asylum. How long did it take for the drastic transformation from psychiatrist Dr. Harleen Quinzel to psychotic Harley Quinn? The movie didn’t quite clarify this time span. Not that is a big deal. I’m just curious. Her obsession and infatuation morphed into an unhealthy, co-dependent romantic relationship with the Joker. Clearly, he has no remorse about emotionally manipulating Harley Quinn to be his lover and accomplice in crime. But I don’t think the Joker is completely heartless. He does have some convoluted emotional connection with Harley to keep her by his side. I didn’t expect to get tad emotional during some of the Harley/Joker scenes. The Joker/ Harley Quinn romance sub-plot was compellingly convincing. Margot Robbie & Jared Leto had great on-screen chemistry.

Second, the conversational interaction between the main characters added a good balance of dark humor. I especially enjoyed the interactions between Harley Quinn and Deadshot. Although, Killer Croc and Captain Boomerang offered some moments of humor. The element of dark humor is what sets Suicide Squad apart from other DC universe movies.

Third, the main characters were developed well throughout the film. The flashback sequences fluidly meshed with the present day sequences. We were given the most background information about Harley Quinn, Deadshot, and Diablo. Though, the backgrounds of Killer Croc, Katana, and Captain Boomerang could have been explored a bit more. Some of Task Force X’s “bad guys” had so much potential yet had weak character development. I’m really curious how Killer Croc acquired his fierce reptilian appearance. I was pleasantly surprised with Rick Flag’s development. Being part of Task Force X, Flag monitors the six criminally insane team members for his superior, Amanda Waller. So he is the only “good” guy among the main characters. His “holier than thou” self-righteous mentality slowly fades away throughout the movie. Sadly, Dr. June Moone had the worst character development. This character had so much potential with the whole split personality aspect. It’s obvious how June strongly resists the Enchantress. In fact, she avoided invoking the sorceress’s spirit unless the circumstance truly warranted it. Enchantress was your stereotypical villain. The usual motive of taking over the world so people fear and quiver at their immense power. Villains want weak, puny humans to worship them. If not they’ll destroy all of humanity. In my opinion, the June Moone/Enchantress conflicting natures could have been better fleshed out.

Suicide Squad_The Album

Fourth, the song selection for the movie’s soundtrack enhanced the cinematic experience. Each of the songs appropriately matched the mood of the scenes. Some of the songs blur the line between pop, techno, and rap genres. But there are some curve-ball songs thrown in. “Bohemian Rhapsody”, “Slippin’ into Darkness”, “I Started a Joke”, “Heathens”, and “Fortunate Son” are exceptions. It is great to heard rock genre music in movie soundtracks. I’m glad Suicide Squad soundtrack incorporated different music genres. This is quite refreshing. Not many movie soundtracks have song tracks from various genres.

In a previous blog post, I’ve mentioned about my love for Panic! at the Disco. The movie soundtrack featured Panic! at the Disco’s cover of “Bohemian Rhapsody” by Queen. Although, the film includes the original version of “Bohemian Rhapsody”. I’m sure it wasn’t cheap to buy the rights of this famous Queen song. That’s probably why the original song isn’t featured on the soundtrack. Panic! at the Disco kept the integrity of the song’s tune yet still inject their own unique twist on this classic rock song.

Random fun fact: Panic! at the Disco’s music has many classic rock influences including Queen. I saw Panic! at the Disco live in concert back in August 2014 and September 2015. A cover of “Bohemian Rhapsody” is part of their concert setlist.  I think I prefer the live version slightly more than the recorded version. Although, the live and recorded versions of this Queen song are equally awesome in their own ways.

“Professional” critics have been severely harsh about Suicide Squad and its soundtrack. Basically I ignore critic reviews about movies, music, and TV shows. Critics are human too. Human beings will always have bias of some sort. This is why I refuse to let “professional” critics shape my movie experience. Only I will decide whether or not I liked something. Usually I disagree with critics reviews anyway.

Originally, I wasn’t planning on even seeing Suicide Squad in theaters. I don’t normally care much for DC universe films. Yet, the TV spot trailers piqued my curiosity. I didn’t know what to expect with this movie. My friend and I went to see Suicide Squad on August 5th in standard format. (Random side note: I hardly watch movies in digital 3D or IMAX 3D formats. There must a damn good reason I pay more for those formats. I’m not an avid DC fan so I saw no valid reason pay additional for 3D movie format.) Not surprisingly the movie theater was packed to almost full capacity. It was opening day.

For some reason, I convinced myself that Suicide Squad was rated R. So I was mentally prepared for content and profanity associated with R rating. Only halfway through the movie, it dawned on me that Suicide Squad was only PG-13. Recent interviews revealed director, David Ayer, had two version of Suicide Squad: PG-13 and R rated movie. I’m actually glad it wound up being PG-13.

Overall, I was pleasantly surprised how much I enjoyed Suicide Squad. The movie has a dark, gritty theme but still conveys a wide range of emotions. I actually teared up a bit at some of the heart-wrenching scenes. The talented cast ensemble, diverse music selection, and visual style enhanced the cinematic experience.  In the end, my curiosity paid off. Suicide Squad was a very entertaining anti-hero DC universe film.

[Somewhat related side-note: Ted Whittall plays the role of Admiral Olsen in Suicide Squad film. CW’s Smallville has subtly references Suicide Squad in few episodes in season 9 and 10. Ironically, Mr. Whittall formerly portrayed the recurring guest role of Rick Flag in Smallville Season 10.]